A dingy motel room you reach by climbing winding stairs, mismatched wooden chairs, bare concrete walls and a hard-to-spot entrance don’t sound desirable but in the theatre space Found111 they add up to a very special kind of magic. Found111 has to be one of the most atmospheric venues of 2016. Once home to Saint Martin’s School of Art, the place feels saturated with past creativity and it’s the perfect location for the intense, claustrophobic plays seen here, including latest dark offering Fool for Love. It’s been a great chance to see some big names performing in a really intimate space. (Bug was my particular skin-crawling highlight). Sadly, the life of Found 111 will come to an end on 17th December, but producer Emily Dobbs who brought us this exciting pop-up theatre is currently searching for a new venue.
The only additional benefit I’d hope for in the next Found incarnation is a space accessible to more theatregoers. I did find climbing those winding steps to the performance space high in the building very magical, but it’s a magic I’m willing to lose if it means more people can see the shows. A fully accessible venue would be a great aim for the next one. And I really, really hope there is a next one…
But just what makes found spaces so special?
Immersive theatre company Punchdrunk work on a grand scale, turning former warehouses and old post office buildings into vast, rambling, detailed worlds. Pop-up bars are springing up everywhere from roof gardens to garages. You can go back in time, play games, get mysterious invites to secret locations. Pop-up theatre feels very now. There’s something electric yet comforting about taking an abandoned, no-longer-loved space and filling it with people and energy. In today’s wasteful world it seems right to recycle a derelict building and bring it back to life again.
The history printed in the bones of the space make it special too. If you borrow a costume from the National Theatre costume hire, inside you’ll find a tag with the name of the play it first came from, the name of the actor who wore it and the name of the character they played. History, stitched right inside, always a part of it. Found spaces are a bit like that. Sometimes the story is macabre. The Vaults, a thrilling space under Waterloo station was once part of the London Necropolis Railway, which carried the dead to cemeteries outside the city.
I’ve even experimented a bit with found spaces myself back in my drama student days where along with my trusty companions, we turned the concrete pergola at Brunel University into a house, complete with bathroom, kitchen and bedroom. We begged abandoned furniture, baths, carpets and even an old toilet from the maintenance team and local businesses and intended to spend an entire day living there. Unfortunately, staging an outdoor performance in November is rarely advisable and after several hours of shivering in an icy rain we were advised to abandon the performance a little earlier than planned but I’d like to think the pergola still remembers the day it became outdoor accommodation.
Immersive and pop-up theatre covers so many different experiences from the sublime to the ridiculous but there really is something for everyone. If you’re shy about getting too involved, pick a quirky venue which stages plays rather than devised or participatory work. Large scale productions like Punchdrunk’s work do give you an incredible experience, but there are lots of smaller venues and pieces out there too where you can get really up close and personal.
For something a little more experimental, the annual VAULT festival returns in 2017 with six weeks of adventure and exploration underground. Also Brighton Fringe is a great way to try out all kinds of different work.
And of course don’t forget to visit Found111 if you haven’t already for a bittersweet goodbye…I can’t wait to see where I will find Found next!