New Wimbledon Theatre: Backstage Tour

New Wimbledon Theatre exterior

New Wimbledon Theatre exterior

Where? New Wimbledon Theatre, The Broadway, Wimbledon, London, SW19 1QG

When? From 2017  tours will run on the last Saturday of each month.

How? You can book online

Cost? Tickets are £8 per person

Duration? Approximately 90 minutes

The New Wimbledon Theatre is a lovely Grade II listed building which stands on the Broadway, Wimbledon, topped by their famous ‘golden angel’. As well as welcoming all the big touring productions, the theatre is known as the ‘Home of London Pantomime’ and I can personally vouch for the top-notch quality and bagfuls of fun you get from their pantos!

At the beginning of the tour we were met by our charming and knowledgeable guide Sherry Plant. As well as working on the Stage Door for the last ten years, Sherry had appeared twice on the New Wimbledon Theatre stage during her career as a professional actress and her love for the theatre was really evident. Most of us on the tour had been to the New Wimbledon several times before so we had very fond memories of the theatre! It was great to be able to find out more and Sherry had lots of fascinating stories and anecdotes to share with us.

The New Wimbledon is a late Edwardian building dating from 1910, and it is filled with marble, brass work and some very cute art-deco style stained glass windows. It was built by the theatre lover JB Mulholland and designed by Cecil Aubrey Masey, who was also the architect of the Phoenix Theatre in central London. Mulholland wanted people living outside central London to also have access to great theatres.

Stained glass window at Wimbledon Theatre

Having previously always sat in the stalls, where the theatre has quite an intimate feel, I was surprised to discover Wimbledon Theatre has around 1700 seats, making it one of the biggest in London. It’s best not to brave the steep tower of the upper circle if you suffer from vertigo, but for anyone unafraid of heights you do get a very decent view of the stage up there.

View from the rear of the upper circle in the New Wimbledon Theatre
View from the rear of the upper circle. Not bad at all!

Of course, one of the highlights is getting to stand on the stage. There was no show in at the moment which meant we saw the stage exposed and bare, giving you a really good idea of the size. It’s amazing to see the stage stripped of all the glitz and glamour; it gives you a real insight into the magic of theatre and how it transforms a space into something special.

The view from the stage, New Wimbledon Theatre
The view from the stage

Something I always love doing on the stage is having a gaze up above into the fly tower. All along the side of the stage were ropes to raise and lower the scenery. The theatre is full of nautical terminology as backstage ‘crew’ were traditionally sailors – they had the muscle to shift sets around, were used to pulling ropes and handy with blocks and tackles! Many theatrical superstitions derive from maritime traditions as well.

Looking up into the fly tower, New Wimbledon Theatre
Looking up into the fly tower
New Wimbledon Theatre dock doors
New Wimbledon Theatre dock doors where all of the sets are shifted in and out

Like every theatre, the New Wimbledon Theatre has its secrets. I certainly never guessed that this was the only known theatre to have its own Turkish baths underneath! The location is now home to a nightclub. Equally, there’s a corridor with a very special mural, painted bit-by-bit by a young flyman in the 60s and 70s to commemorate every show he worked on. I could have looked at it for hours!

New Wimbldon Theatre mural

New Wimbldon Theatre mural

Verdict: If you are a local then a visit to the beloved New Wimbledon Theatre is unmissable; but it’s definitely worth a visit from central London or further too. The theatre is just a few minutes walk from Wimbledon station which is a stone’s throw from London Waterloo, just 20 minutes by train. I’d recommend booking a matinee ticket and making a day of it!

An interesting contrast would be to spend one Saturday touring the New Wimbledon Theatre, then following up next Saturday with a visit to Richmond Theatre. Or another good theatre to compare it with is the London Palladium which was also completed in 1910.

For more about backstage theatre tours visit backstagetheatretours.com

5 Reasons to Love Theatre

View from the Royal Box, London Palladium.

1- Where else can you go with lots of friends, on a date, or all alone and still have a great time?

2- Theatres can look like this..

.View from the Royal Box, London Palladium.

or like this…

 

.Jerwood Theatre Upstairs Royal Court

…and both can be amazing…

3- Even when theatre is bad it is often very very funny…

4- The architecture. Literally something incredible for every taste…

Young Vic theatre exterior

National Theatre flying buttresses looking like a giant cubist composition

Richmond Theatre facade

5- You can feel all this in just two hours… 😊😀😲😢😳😥🙄🤗

 

So many reasons to love theatre!

 

#LoveTheatreDay

 

 

Shared Journeys: The Ups and Downs of Touring Together

Tourists at the Tower of London

I like my own company. Me, myself and I make a happy team. We’ve been to the theatre, just us, to the cinema solo, holidayed alone and thoroughly enjoyed it. You do what you want, when you want, how you want. Fancy spending an hour simply gazing at the sky? No problem! Want to idle in front of Monet’s Water Lilies for half a day? Just do it.

Lovely, but if there’s one thing better than journeying alone it’s sharing the experience with a like-minded companion. For example, my Mum and I have just one guide wherever we go and whatever we do: Spontaneity Rules!

I can’t count the amount of weird and wonderful food we’ve tried, the top tickets we’ve acquired and the amazing times we’ve had all over the world – and at home too! – from being spontaneous. Fantastic!

But how about if we include more people on the journey? Not just two or three friends but a proper group tour? I’ve worked as a tour guide and workshop leader for many years so I’ve had lots of experience leading tours. I’ve lived in London for most of my life so have seen hundreds of tours passing through the tourist spots. And I’ve also been on several group tours myself. Here are some of my highlights…

My 10 favourite group tour moments:

  1. Getting chosen to be one of the tasters on the Jameson Whisky Tour – and getting rewarded with another drink as a thank-you! Such a great experience and I even have a certificate to prove it.
  2. Taking groups of 7-11 year olds on tours through Darwin’s Garden at Down House and seeing the ‘lightbulb moment’ when they clocked Natural Selection in action all around them! (BTW I can recommend the OpenLearn course on Natural Selection if you’re a bit woolly on this…followed by a visit to Down House of course!)
  3. The backpacks/heavy walking shoes/vast picnics/huge range of clothing you see groups with in central London. Seriously folks, it’s a city, not Mount Everest.
  4. Seeing people’s thrilled faces every time I managed to take a group on the Olivier Theatre stage when leading a National Theatre backstage tour
  5. …and seeing people’s amazed faces when they saw the size of the construction workshops at the National Theatre. You’d never believe there was a whole factory hidden back there.
  6. Not very enjoyable at the time but now I look back and laugh…I worked weekends at Madame Tussauds during my degree and people used to make up ‘fake tour groups’ by collecting individuals from the queue and forming an impromptu tour group so they could get a group discount. Showed initiative but there was always a fuss about having to pay together, not being able to re-enter, people changing their mind and going back to the other queue leaving too few people to be a group, etc, etc. Chaos often ensued.
  7. A walking tour of Jerusalem with a great guide and a very interesting group of people – including my spontaneous Mum! (The whole holiday came about rather unexpectedly but that’s another story…)
  8. A tour of the cellar, winery and museum at Castellriog including of course tasting the delicious cava and lovely local food. Cava is sooo much nicer than prosecco!
  9. A tour of Brighton sewers – there’s an entire world hidden away down there! Utterly fascinating.
  10. Going backstage at Phantom of the Opera at Her Majesty’s Theatre – I first saw that show at just 6 years old so it was like magic going back! Even though I now work in theatre and have seen all kinds of backstage, they all have their own particular magic and I’ve loved every theatre tour I’ve taken!

Shared journeys…they have a certain je ne sais quoi…

 

 

 

 

Backstage Tours: Killing the magic of theatre or bringing it alive?

View of the London Palladium stage from the Royal Box.

In The Stage online, Flyman asks how we preserve the magic of theatre while letting the audience see backstage. It’s true that audiences have increasing opportunities to see behind-the-scenes, whether through taking a backstage tour, checking out backstage clips on YouTube or visiting the Sherling High Level Walkway at the National Theatre, with its views into the construction workshops and paintframe. But does all this backstage access kill the magic and spoil the surprises of a theatre production?

Under the Almeida stage
Under the Almeida stage

One of my first really special theatregoing memories is seeing Andrew Lloyd Webber’s Phantom of the Opera as a child. We had to book the tickets nearly a year in advance in those long ago pre-internet days and by the time the night finally arrived, I knew the music off by heart and was filled with excitement and anticipation. As the performance started, I peeked around the side of the huge 80’s perm pitched in front of me and was utterly absorbed from start to finish. I could hardly believe what I saw. The lake filled with candles. Christine vanishing through the mirror. The Phantom invisibly disappearing from his throne and leaving the mask behind. It was like magic.

Over 25 years later, I was lucky enough to take a rare tour of Her Majesty’s Theatre exploring behind-the-scenes and on the stage. I’ve seen literally thousands of shows of all kinds since my first heady visit and have worked in theatre for many years as well. I’d read of and watched films about the fascinating tricks and illusions used in Phantom.  Yet as we went through the pass door into the backstage areas, I felt that excitement all over again. We saw the cramped wing and under stage spaces. We found out many more backstage secrets. We saw sets and props close up, many of them hanging above our heads due to the lack of space. We stood on the stage and were surprised at how intimate it felt. And watching Phantom after the tour, I was struck how this backstage visit had not killed the magic of the production at all. Quite the opposite. There seemed to be another layer, another level of appreciation to my enjoyment, a cozy sense of kinship and sharing the secrets of what I was watching.

I now work as a tour guide and theatre tour development consultant and advocate, and in my experience, backstage access only increases the magic for an audience rather than negating it. After a tour, a group who has viewed a set in construction is left with a burning desire to see the production it will appear in. Walking through dressing room corridors gives them a buzz of anticipation before seeing the show. They are fascinated with knowing how the parrot popped out so quickly, or one room changed to another within seconds. I forget sometimes, how exciting people can even find an empty rehearsal room or dingy dressing room if they’ve never been in one before. It’s about painting a picture and using imagination. Magic, really.

It’s true discretion has to be exercised. It’s why a good tour guide is so important. Backstage and back-of-house needs to be interpreted so people don’t come away with misconceptions and secrets aren’t spoiled for people who haven’t yet seen a show. The NT’s High Level Walkway can be understood and appreciated better by people with a prior knowledge of what goes on behind-the-scenes – whether that’s by study, working in the industry, or from taking a backstage tour.

At the same time, a working theatre is not a museum. It’s vital that the skills and needs of backstage workers are fully respected and they have the space they need to do their job without interruption. But taking audiences backstage and giving them a brief taster into the incredibly busy process of staging and running a show can only increase their appreciation of the expertise, creativity and hard work to be found behind the scenes.

Equally, not everyone who goes on a backstage tour is a layperson or unacquainted with the world of backstage theatre. Industry professionals from across the world as well as keen and dedicated members of amateur or community theatres come to learn and see how someone else’s backstage practice differs from theirs. For many people, the real ‘magic’ is actually to be found in the theatre making process as much as in the finished production. The journey is as important as the destination.

As someone who works in theatre and sees a lot of shows in production, I know I’m still receptive to the magic of theatre. We might know every unlovely sweaty detail of a show’s genesis but we can still be moved, challenged and delighted by what is created in those precious moments onstage – and backstage – when the audience is in. If handled and interpreted properly, it’s no different for anyone else.

 

For more on backstage tours visit www.backstagetheatretours.com

You never forget your first Pantomime

It was the first time, and it wouldn’t be the last.

My first memory of going to the theatre was the pantomime. I can’t remember whether it was Jack and the Beanstalk, Dick Whittington, Cinderella or another one of those traditional tales, but I remember people onstage, I remember singing, I remember colour and light. I remember sweets being thrown and people from the audience climbing up on stage. I even remember where I was sitting, more or less. It was likely to be somewhere in London and I was definitely pre-school age. A very early experience of theatre, and one, I’d suspect, shared by several theatre goers. Pantomime, although filled with salty innuendo for the grownups is a perfect first-time theatre experience for children.

Everyone’s geared up for a more relaxed atmosphere.

There’s audience participation:

‘he’s behind you!’

‘oh no he isn’t! oh yes he is!’

There’s the panto horse, the chase, the dancers, the Principal Boy (britches and boots clad girl), the Dame (fabulously frilly-gowned gent). You get so used to the well-loved cliches of pantomime that you forget there was a time when they were fresh, unlearned, unfamiliar.

As I got slightly older I became quite a fan of the Dame. I recall donning a flowery dress and lots of red lipstick while my sister toddled about with a fluffy cat and a bundle on a stick as Dick Whittington and our mum gamely took on the uncoveted role of Alice, staging our own bijou version.

Pantomime has a rich theatrical history in Britain, where it’s a huge part of our holiday traditions. In the December and New Year period, pretty much every theatre, both amateur and professional will stage one. Panto has origins in the improvisation and colourful stock characters of the Commedia dell’arte of 16th century Italy, as well as the stars, songs and variety acts of Music Hall.

I’ve seen many pantomimes over the years. Some have been great fun, others a bit rubbish. Sometimes I’m really in the cheery panto mood, on other occasions the thought of singing along with an Aussie soap star and a theatre full of sugar-filled children to the latest pop hit has me running for the hills.

That first visit to the pantomime may not be very clear in my mind, but it started a whole lifetime of visits to the the theatre. I must have seen absolutely thousands of shows over the years and I even ended up working in the industry.

Maybe I never quite got over that first burst of panto magic…

 

Written for the WordPress Weekly Discover Challenge: Opening Line

Ironically, my first time. And, hopefully, like my first trip to the theatre, not the last!

Image: Aladdin Pantomime, Nottingham Playhouse 2008, by KlickingKarl (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons

 

Almeida Theatre: Backstage Tour

Almeida Theatre

Where? Almeida Theatre, Islington, London N1 1TA Photo: Andreas Praefcke

When? Every few months. Check their website for details

How? You can check times and book online

Cost? Tickets are £7 (£6 concessions)

Duration? Approximately one hour

The 325 seat Almeida Theatre is bijou but world-class and I couldn’t wait to take a backstage tour and see how the space operates as a working theatre, as well as find out more about the history and architecture.

Throughout, our knowledgeable guide wove in stories of the theatre’s history, taking us from the rise of the building right up to the current day.

The original building, now listed by Historic England, dates from 1837 and was home to the Islington Literary and Scientific Society including a library and lecture theatre.

 

The Interior of the Theatre of the Islington Literary and Scientific Institution now the Almeida Theatre
The Interior of the Theatre of the Islington Literary and Scientific Institution Totswill & Co. 1840-1850 (National Maritime Museum Collection)

The Almeida Theatre has a beautiful curved back wall just behind the stage, and when you’ve seen a picture of the original lecture theatre, you can really see how the original building has become the theatre we have today. The theatre is set the other way around than the lecture theatre – which accounts for the curved wall is behind the stage rather than the audience as in the picture. It makes for a wonderfully wide playing area compared to the number of seats, yet still retaining a very intimate feel.

The building has had many different functions over the years, including Salvation Army barracks and a factory and showroom for Beck’s British Carnival Novelties. It wasn’t until 1980 that it became a theatre, welcoming a vast array of exciting companies and directors. Today the theatre has a world-class reputation and stages a brilliant range of work, often leading to West End or Broadway transfers, giving even more people a chance to see the shows.

We started our tour in the foyer, looking towards the original wall on one side and the modern glass roof overhead.

Almeida foyer
Almeida foyer
Almeida foyer
Original wall of the building, now inside the Almeida foyer under the glass roof.
The glass roof above the Almeida foyer
The glass roof above the Almeida foyer, dating from the 2003 renovations.

The Ameida makes artful use of every corner of space. We started in the workshop which before the extensive 2001-2003 refurbishment was tucked underneath the stage. Although sets are not made on site, they do of course need to be constructed and built into the theatre so this is an important spot in the building.

We visited the cosy Green Room, a sort of common room or waiting room for the actors before they go onstage (and one of the few I’ve seen with natural light!) before heading into the Wardrobe department.

Almeida Theatre Green Room
Almeida Theatre Green Room

We visited the understage area, a combination of storage space, quick change dressing area and route to the stage. We even had a chance to step on the stage itself. For copyright reasons we were unable to take photos of the stage as it was filled with Sacha Wares winding travelator set for the production Boy..

Under the Almeida stage
Under the Almeida stage

The Almeida has welcomed some very famous actors through its doors so we enjoyed an evocative peep into one of the dressing rooms, imagining all the past performers who had been in the space. Today the room was full of wigs for the current production, all painstakingly hand made.

Verdict: A great chance to discover more about a fascinating theatre, from architecture and social history right up to how the theatre works today. After the tour, visit the Almeida Café & Bar for a dish from their freshly prepared seasonal menu.

Header Image: Almeida Theatre. Photo: Andreas Praefcke (Own work (own photograph)) via Wikimedia Commons

For more backstage tour info, visit backstagetheatretours.com

London Palladium: Guided Tour

London Palladium exterior

 

London Palladium exterior

Where: London Palladium, 30 Argyll Street, London, W1F 7TE

When: Tours usually run at 11:30am on selected dates. Check the website for details of upcoming tours.

How: You can book online on the Really Useful Theatres website

Cost: £12

Duration? About two hours

You never forget your first time at the London Palladium. Whether performer, backstage or audience member, this is a really special place. My own first memory dates from my 7th birthday where I was surprised with tickets for Joseph and the Amazing Technicolour Dreamcoat! I’ve been back several times over the years so I was very excited to explore this theatre further…

The London Palladium opened on Boxing Day 1910 as a Palace of Varieties, and fittingly it has hosted more Royal Variety Performances than any other theatre.

Back when the theatre was designed there were several different entrances and exits for the variety of different audiences from working people to the wealthier crowd. We began by hearing about the history of the theatre and looking at some of the exquisitely decorated foyer and front-of-house areas as well as discovering how everything fits together.

Lovely stained glass doors in the London Palladium foyer.
Lovely stained glass doors in the foyer. This area was for the smart front stalls set!
Beautful decor of The Cinderella Bar, London Palladium
Just a taste of some of the gorgeous decor. This is called the Cinderella Bar for a very particular reason but you’ll have to take the tour to find out why!

The London Palladium is a beautiful Grade II listed building designed by the great theatre architect Frank Matcham. As well as looking wonderful, it features a cleverly cantilevered auditorium which ensures pretty much every seat from the top to the bottom has an unimpeded view of the stage as no pillars are required to keep it up.

London Palladium auditorium
The beautiful auditorium

The exception is the boxes, which, as in all theatres, boast the most luxurious surroundings but offer a better view of the audience than the stage! This is particularly true of the Royal Box, which we had a chance to visit. As you can see below, it’s more important for the occupants to be seen by the audience than to see the show! The actual stage view is a bit side on and if a member of the Royal Family wants to watch a particular show rather than attending a special event or gala as an honoured guest, they’ll generally take seats elsewhere in the theatre which offer a better view.

View from the Royal Box, London Palladium.
View from the Royal Box. It’s more important for the occupants to be seen by the audience than to see the show!
View of the London Palladium stage from the Royal Box.
View of the stage from the Royal Box. A bit side on!

The London Palladium is a busy working building so you never quite know what you’re going to see – but that is what makes this tour so exciting! There’s a rich, fascinating history here, but you never forget that it’s created first and foremost as a venue for live performance. In 2016, the Palladium is returning to its variety roots and running a programme of concerts so there was plenty of activity in the building.

The London Palladium stage.
The London Palladium stage.

One of the highlights of the tour was a chance to stand on the famous Palladium stage ourselves, and walk in the footsteps of all those famous performers who have graced the theatre in the past, such as Bing Crosby, Ivor Novello, Louis Armstrong, Duke Ellington, Josephine Baker, Danny Kaye, Max Bygraves, Julie Andrews, Cilla Black, Tommy Steele (who holds the record for the most appearances), Ronnie Corbett, Shirley Bassey, Bruce Forsyth, Yul Brynner, Liza Minnelli, Jonathan Pryce, Kerry Ellis, Robbie Williams…and many, many more!

The view of the auditorium from the stage, London Palladium.
The view of the auditorium from the stage.

 

Looking up, we discovered that the London Palladium has a relatively small space above the stage (for example, in comparison, the National Theatre has a whopping 30m fly tower in its Oliver Theatre). Equally, although the stage is very wide, it’s not very deep, and has little wing space, so designers have to bear all of this in mind when designing sets for the theatre. It certainly hasn’t prevented the Palladium housing some very large and elaborate sets however!

Above the London Palladium stage
Looking up above the stage.

Fly ropes at the side of the stage are used to raise and lower the scenery. They are on a double purchase pulley system so you need twice as much cable as the distance moved but they take less effort.

London Palladium fly ropes
Fly ropes

It’s amazing when you think of all the big musicals and huge-scale sets that have been in the London Palladium in the past as everything gets in and out through a modestly sized shutter at the rear of the stage. The sets are constructed off-site, taken apart like a jigsaw, brought in through this door, then re-assembled on the stage.

Door doors of the London Palladium
This is where all the set gets in and out of the theatre.
Under the London Palladium stage
We even got to see under the stage!

Fortunately for us, the dressing rooms were currently unoccupied so we also had a peek into the former and current Number One spaces which are rather less glamorous than you might imagine. It was lovely to think of the many performers who had passed through these rooms over the years.

The two hour tour can give you just the tip of the iceberg of the rich London Palladium story, so it was great to have the opportunity to ask questions throughout the tour as well.

Verdict: This tour is an especially magical experience for anyone who has memories of seeing a show at the London Palladium, but anyone who is keen on theatre history, architecture or just has a general theatre interest will have a great time too. As well as getting a closer look at the beauty and cleverness of Frank Matcham’s design, you get to explore some very exciting spaces and hear all those little stories and anecdotes that you can’t find out anywhere else. And the London Palladium has many great stories to tell!

If you want to make a day of it, why not stay in the mood by looking at some other Edwardian buildings in London such as Admiralty Arch or  Central Hall Westminster and team it with afternoon tea or an elegant cocktail. Or you’re interested in comparing the London Palladium to an older theatre, a tour of the Restoration-era Theatre Royal Drury Lane makes an interesting contrast.

And I definitely want to return for a concert in this beautiful space! Check out the RUT Live website for further details.

For more about backstage theatre tours visit backstagetheatretours.com

Backstage Tour of the Young Vic

The Young Vic exterior showing the three different sections.

Recently I was lucky enough to take a free backstage tour of the Young Vic which were running as part of the BBC Get Creative Weekend.

We started outside with our friendly and knowledgeable guide, Daniel, where we discovered that the Young Vic is a building of several parts, and the oldest section actually started life as a butchers shop. Incredibly, although I’m a regular visitor to the Young Vic I’d never really clocked the original tiles and signage or the meat-hooks hanging in the box office! There’s even a photo just inside the door of the building back in the butcher shop days.

The Young Vic exterior showing the three different sections.
The different sections that make up the Young Vic. The medium sized Maria space is the brown piece on the left-hand side and the main house is the metallic section on the right. The glass section in the centre is the bar and restaurant, and the oldest part of the building is where you enter just under the red ‘Theatre’ sign.
Young Vic entrance, where you can see the original butcher's shop signage under the neon.
Look under the neon and you can see the original butcher’s shop signage.

 

We started off with a visit to the main house which seats about 500 but is completely flexible so can be laid out differently for every show. We saw the simple but brilliant set of a giant plug and plug socket for current show If You Kiss Me Kiss Me which sounded really exciting – a combination of gig and dance show performed by Jane Horrocks, with a live band and a team of dancers.

The biggest surprise for me was going into the Young Vic’s Maria Space, their medium sized venue which seats about 150 although like the main house it’s a flexible space with endless staging possibilities. Recently I saw the moving A Girl is a Half-Formed Thing here, with an end-on stage. Another terrific show I’ve seen in this space was Bull where it was transformed into a boxing ring with audience sitting and standing around the playing area. But today there was absolutely nothing in there. Really nothing. No set, chairs, no rostra…and even the door where I’ve always entered was locked and barred high up in the wall above our heads. It’s amazing how an empty room can be so inspiring!

We had a walk through the offices – which even include a lovely little roof garden – and spotted some of the various departments that keep the Young Vic’s heart beating. I also discovered that the Young Vic is home to several associate companies – 1927 (I was lucky enough to catch their incredible Golem at the Young Vic – a fusion of animation, live performance and music), Belarus Free Theatre, BirdGang and the Regional Theatre Young Director Scheme.

We finished off with a quick visit to costume where a fabulous array of hats from past shows were suspended above our heads and the costume supervisor was kind enough to answer our questions about the department.

This was such a great opportunity to find out more about the work of the Young Vic and a treat to see into the theatres and backstage areas. The Young Vic offer backstage tours for local schools but no regular public programme, so if ever you get a chance to join a one-off tour like this, I’d urge you to come along and find out more about this great place!

You can find our more about all things backstage tour on my website

 

London Coliseum Guided Tour

London Coliseum

London Coliseum

Where: London Coliseum, St Martin’s Lane, London, WC2N 4ES

When: Currently running Saturday mornings

What’s on: The London Coliseum is home to the English National Opera (ENO) and runs a varied repertoire, all sung in English. You can also see ballet and now musicals too.

How: You can book online or by calling the box office on 020 7845 9300

Cost: Full price £10, concessions £8, school tours £5

Duration? About an hour

London Coliseum facade
London Coliseum facade

The London Coliseum is home to English National Opera but was actually built as a Palace for the People, a Hall of Varieties.

It came up in 1904, the brainchild of Sir Oswald Stoll who can actually be seen in the foyer, but not as a simple statue or bust – oh no, Sir Oswald’s face is incorporated in a much more interesting and unusual way! To find out where, take the tour, or when you go to see an opera, see if you can spot him in the throngs of people!

The building was designed by the exceptional theatre designer Frank Matcham, and there is a nod to Classical, Baroque and even early Art Nouveau in the amazing architecture.

We learnt all about the fascinating history and characters behind the London Coliseum and what is was like for audiences in the past, where sedate and elegant tea-rooms sat where the bars are now!

We went into the beautiful auditorium, where you can get a surprisingly good view from the very reasonably priced Balcony seats – something I have much experience of enjoying!

London Coliseum stage during a changeover between two shows
London Coliseum stage

The theatre was a hubbub of activity as a new show was being built into the theatre. There’s relatively little space behind the stage, and sets are stored off-site, so every change in the repertoire requires huge lorries to take the sets in and out.

ENO lorry transporting all the sets
ENO lorry

We could actually see daylight sparkling onto the stage where the huge dock doors were open at the back of the building…and when I had a look from the outside at the end of the tour, I could just make out the red velvet seats from the road!

The dock door at the rear of the London Coliseum
The dock door at the rear of the theatre

We then made our way through the offices and backstage areas of the building. In the staff canteen you can see a few remaining parts of the original stage machinery that allowed effects such as a show of the Epsom Derby – complete with racing horses!

We finished off with a visit to the sizeable orchestra pit, which gave a good feel of what the auditorium looks like from the stage, and had a sit in the fancy stalls seats.

London Coliseum stage during a changeover
The stage

Verdict: The London Coliseum is a beautiful building that I really knew very little about before this tour, in spite of having attended many operas and ballets here. It was great to learn more about the history and we really left with a feel for how this building has changed over the years.

For more about backstage tours, visit my website backstagethearetours.com

Royal Court Theatre: Building and Backstage Tour

Grade II listed Royal Court Theatre facade
Original Royal Court signage
It looks so contemporary but this the original Royal Court signage, now in the theatre’s bar

Where: Royal Court Theatre, Sloane Square, SW1W 8AS

When: Currently running Saturday mornings 9 January – 23 April 2016.

What’s on: The Royal Court is first and foremost a writers theatre and runs an exciting programme of predominantly new work

How: You can check times and book on their website

Cost: Tickets £7 or free on Open House Weekends

Duration? About 90 minutes

Grade II listed Royal Court Theatre facade
Grade II listed Royal Court Theatre facade

The beautiful building dates from 1888, and spent time as a theatre, then a cinema, before being bomb damaged in WW2. It re-opened in the 1952 with the English Stage Company and artistic director George Devine, committed to discovering new writer and creating new work. The third play they premiered was George Osborne’s Look Back in Anger, a play that changed the face of modern British theatre.

The building closed for refurbishments for a few years in the 90’s and re-opened bigger and better in 2000, extending underneath Sloane Square. The architects were briefed that the theatre owes everything to it’s past but looks only to the future.

 

We started our tour in a cozy corner of the bar called the The Ladies Room…made, fittingly from what were previously  ladies public toilets, donated from the council to the theatre!

The whole building is filled with little stories and unexpected discoveries. Mirrors turn out to he secret doors. A wonderful piece of public art extends through the levels front-of-house. The lift talks to you in the voices of several famous actors. Elements such as the window covers are grilles from those ladies toilets. Even the offices are incredibly well-appointed and contain two of the original auditorium doors. Impressively, the whole building is fully accessible for visitors and staff alike.

The red wall - public art with markings that show where the sunbeams hit it during the day.
The red wall – public art with markings that show where the sunbeams hit it during the day.

 

We visited both of the theatres. The little Jerwood Theatre Upstairs has always been associated with risky work, it can be totally transformed and the design of the building makes it feel as though you are climbing into a secret attic where anything can happen.

Jerwood Theatre Upstairs Royal Court
Jerwood Theatre Upstairs

The Jerwood Theatre Downstairs was currently home to the new Caryl Churchill play …and the stage was mainly covered with live grass which we were unable to stand on. But we still got to go onstage and feel how wonderfully intimate this performance space is. While we waited our turn to stand onstage we checked out ‘writers row’ where writers typically sit to watch their play in previews. The seats all bear the names of famous playwrights.

Jerwood Theatre Downstairs auditorium
Jerwood Theatre Downstairs auditorium

Royal Court auditorium detail of ceiling

The named seats on ‘Writers Row’:

John Osborne's seat on writers row, Royal Court

We had a great look backstage as well!

Backstage - the scene dock
Backstage – the scene dock
Looking up into the flies above the stage at the Royal Court
Looking up into the flies
Royal Court scene dock from the outside
Royal Court scene dock from the outside
Royal Court Stage Door
Stage door

Our lovely guide had so many great stories to tell – which I won’t give away…you have to go and hear them on the tour!

If you want more backstage tours information, visit backstagetheatretours.com